Dialogues : Tom Piazza
Scnario : Eric Overmyer
Ralisation : Ernest Dickerson

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- 01:32 - Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) est un syndicat professionnel amricain reprsentant plus de 160 000 acteurs et figurants du monde entier, jouant dans des films, des tlfilms, ou des publicits.
http://fr.wikipedia.org/wiki/SAG-AFTRA

- 24:09 - Le New Orleans Center for Creative Arts (NOCCA) est une cole des beaux-arts pour lycens. Parmi ses diplms, on recense notamment Wynton Marsalis, Wendell Pierce (Antoine Batiste dans Trem), Trombone Shorty ou Jon Batiste.
http://en.wikipedia.org/wiki/New_Orleans_Center_for_Creative_Arts

- 24:10 - Roots of Music est un programme d'ducation musicale gratuit qui accueille des enfants et adolescents issus des quartiers noirs et dfavoriss de la ville et leur offre une ducation musicale, un soutien acadmique et un repas chaud tous les soirs aprs l'cole. Cette initiative est porte depuis 2007 par des musiciens reconnus de la scne musicale no-orlanaise, issus des mmes quartiers que les enfants qu'ils entreprennent d'duquer. Le fondateur et figure de proue du programme est Derrick Tabb, membre du renomm Rebirth Brass Band et issu d'une des familles musicales de la ville, la famille Andrews.

- 31:08 - Alton "Big Al" Carson est un chanteur de jazz et de blues amricain originaire de La Nouvelle-Orlans.
http://en.wikipedia.org/wiki/Alton_%22Big_Al%22_Carson

- 34:03 -  Freddie Hubbard est un trompettiste et compositeur de jazz amricain n le 7 avril 1938  Indianapolis, Indiana et mort le 29 dcembre 2008  la clinique de Los Angeles suite  un problme cardiaque. Il devint clbre par sa musique bebop et hard bop. Grce  un son unique et son art d'improviser, il contribua  l'expansion du modern jazz et du bebop.
http://fr.wikipedia.org/wiki/Freddie_Hubbard

- 38:01 - Une steamboat house est une maison dont l'architecture s'inspire d'un bateau  vapeur du Mississippi. Elles furent riges au dbut du XXe sicle.


> Plus d'annexes (in english) : http://www.nola.com/treme-hbo/index.ssf/2012/11/treme_explained_dont_you_leave.html

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- The game goes past New Orleans, boss. I know you guys like to think the sun rises and sets on either end of St. Charles Avenue, but sometimes it pays to be a citizen of the world.

- Chef Baquet, Miss Joann, Chef Boswell, what can I get for you this evening?
- I'm gonna have a Pimm's Cup.
- Oh, a pimp's cup. Okay, shall I have a ho bring that to you?

- Chef. Table five, the deuce. You'll be getting an order. I think that's Molly's table. They're some kind of something. Food writers, bloggers, hoping to fly under the radar.
- Yeah, opening night, hoping something goes wrong.
- Yeah, well, you might want to flag them as V.I.P.
- What was it? What gave them away?
- The shoes, man. No regular customer comes to a fine-dining establishment such as this in shoes like that. Payless kind of shit. And the lady, 85 bucks at Aldo for those clodhoppers and she brings them out on date night? Oh, yeah, they sneaky, thinking they can be all undercover and shit. And don't even get me started on the girl's bag.
- You know, Derek, you are a very unusual man. What I am, Chef, is a motherfucking professional.

- And "This City," you wrote part of that, too, right?
- No, I just gave him a line, that's all.
- Tell me something. You think all those Lennon-McCartney songs, they wrote them all 50-50? No, that's what a creative partnership is. Bread don't rise without yeast, even though you only use a spoonful.

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Always for pleasure, baby. 8)